museyoucanuse
Wherein I ramble on about color, inspiration & things of a miscellaneous nature
Welcome To The Crystal Palace
9 May 2024
Inspiration comes in many forms. Some are tangible - a cherished painting, scrap of vintage fabric or beautifully glazed pottery. Others are more suggestive - a calm sea, summer sky or deep forest. But every once in a while, it’s simply a feeling - a vibe.
Just before lockdown in 2020, I spoke with a client looking for a new bathroom color. There had been some water damage repaired, and she was taking advantage of the opportunity to move on from the previous owner’s less-than-sophisticated discernment. It turned out she was my neighbor, so on the appointed day, I went home, grabbed my bag of tricks and walked down the street.
I was greeted at the door by a petite auburn-haired, green-eyed presence in a softly-colored flowing gown & stiletto-heeled sandals. The air was redolent of Feu de Bois and candles glimmered around the room. The ornate mantelpiece and small coffee table held an array of crystals in all forms & sizes.
That’s where the beauty stopped.
What on earth was this glowing aura doing plunked down in the middle of this drab, sparsely furnished, decidedly gray apartment ?
Color me intrigued.
She showed me the bathroom, in all its 90’s glory of heavy-handed travertine & a rather fleshy off-white on walls & ceiling. I opened my color book & pulled out Slipper Satin No. 2004, placed it above the wainscot & against the trim. I explained why it was the best choice to play well with the less objectionable undertones of the tile without exuding a sallow, exhausted pallor. I didn’t feel the need to show her anything else & she didn’t feel the need to consider other options.
So, after 15 minutes (10 in conversation, 5 in color selection) we were done. I off-handedly asked if there was anything else I could help her with (I really wanted to get my hands on what I could see was a gem awaiting cut & polish) & she said, Well, what would you suggest if I wanted to repaint the whole apartment?
Carrot dangled.
My filters don’t always work so well, so I just said what came into my head, This could feel like an apartment in Paris.
Her response, That’s exactly what I want. Tell me more.
A palette quickly came together in my hands. The seemingly contradictory elements required actually helped narrow down the field.
What I was looking for had to be
sophisticated but whimsical
joyous but restrained
pastel but, well, not pastel.
I decided to start at lavender but not advertise it. Walls for the main living area in a lovely, changeable, grayed shade, Peignoir No.286, to be applied from the baseboards to the crown moulding.
Ceilings in a softly pink white, Great White No.2006, to provide an easy transition from the walls. The short hallway & vanity in the same soft white. Moving into the bedroom, I placed the living room wall color on the ceiling & a deeper, slightly muted rose tone, Sulking Room Pink No.295, on the walls (again, applied baseboard to moulding). This made for an easy transition into the more intimate space.
In the kitchen, I did damage control on an unfortunate 90’s renovation by simplifying the white to the cleaner, cooler Strong White No.2001 & grounded the space with a deep charcoal, Off Black No.56, on the lower cabinets.
Finally, to play up the lovely classical proportions & feel of the apartment, all doors were done in the same charcoal black.
(All colors are Farrow & Ball.)
She was so happy with the transformation, we ended up working together on further interior design projects including renovations on both her kitchen & bath. There is, I’m happy to say, no longer any trace of the 90’s to be found.
More importantly, we connected on a personal level & began a collaborative friendship that is still going strong. It’s a real gift.
Sometimes, you just get the vibe.
Hell Hath White Ceilings
11 June 2021
A vision. A mere glimpse. As if through an underwater lens, but somehow startlingly clear. A scene reveals itself, sounds are muffled and indistinct (chatting? machinery?). But a harsh and unforgivingly artificial light beams down at me from where the sky should be - no clouds, no blue - just whiteness. A shadow (?) moves into view but just as quickly disappears. Then the scene is gone - replaced only by this visual memory of a flat, colorless world.
As those who know me are well aware, I suffered a traumatic brain injury two years ago as the result of a simple accident at work. After living through 12 days of what I thought was the worst migraine in history, I ended up in ICU in critical condition with a subdural hematoma (google it). I have snippets of memory from that 13th day, mostly prompted by the knowledge of what happened according to friends and coworkers, but clearly, I was unaware of the danger I was in. I woke up on day 15 in a blandly spacious hospital room with a tube coming out of my head. Somewhere in that lost time, that void, I became aware - however briefly - of the colorless horizontal plane that hung over me, that white ceiling.
Many people who go through near-death experiences tell of visions of lovely scenery, calm and beautiful settings, or the proverbial light at the end of the tunnel. Why was the vision afforded to me that white ceiling - more nothing than a black hole which can at least boast of visual depth and interest? If even one third of what I learned in Catholic school is true, I should certainly have no expectations of passing through any pearly gates. Perhaps my vision was simply a foretaste of the flat, blank, and unadorned reality that would, for me, truly be Hell. A nihilistic amuse bouche, if you will.
According to best laid plans, 2020 was to be a year in which I allowed myself to coast, acclimate to the the less ambitious, more relaxed trajectory of my life. Then, suddenly, we were all told to stay in our homes, keep our distance, not interact. Cue unrelenting introspection, parsimonious self denial, and hazy vistas.
So, back to that white ceiling.
In 2014, after many years in retail management, I landed my dream job working for Farrow & Ball, known for the highest quality paint offering a carefully curated palette of complex and interesting colors. I quickly found myself at ease advising clients, curating palettes specific to their projects, solving problems with spatial flow and continuity, and embracing the transformative power of color.
I went through the training to become a Color Consultant to help out when the existing consultant was unable to accommodate clients, but from the time of my initial solo consultation, I knew this was what I wanted to do. It was so nearly effortless for me, but seemed to mean so much to the client that it was a no-brainer (see what I did there?).
Last year brought so much change to so many lives, my own included. My future goal of striking out on my own became, by necessity, my present reality. So now I get to tell you how all the elements in your space (yes, that includes the ceiling) play off each other, show you how the right color can make all the difference, and work with you to curate a palette that speaks to your home and how you live in it.
Color can transform your environment and enrich your life. You shouldn’t have to bang your head to find that out.
Look up.